Photographic films to prints
                         Photography has come a long way since the invention of the       Daguerréotypes and the Calotypes. Photographic prints are as       important to photography as is the camera. You can have the       camera, the technology but if you can’t take a photographic       print, you can’t see how the picture has come out. Though,       with the advent of digital cameras, the use of photographic       prints has been taken to the point of becoming obsolete. The       Daguerréotype process involved the use of metal sheets and a       positive silver image was fixed on top of the metal sheet.       William Henry Fox Talbot was the man responsible for moving       a step ahead by using a negative through which multiple       prints could be made.  
                          Around       1856, Hamilton Smith patented a process termed as Tintypes.       The process used a thin sheet of iron as the base to yield a       positive image. In 1889, it was made simpler by George       Eastman, who realized the true potential of the photography       market. He released a film that had a flexible base for easy       rolling. The emulsion coated cellulose nitrate film base       made the process of shooting images easier. Now       photographers could carry their boxed cameras without       worrying about the large and cumbersome plates. Eastman’s       first camera was launched in 1888 and came with a preloaded       film. Once the pictures were taken, the camera with the       films had to be sent to the Kodak factory where these films       were translated into photo prints.
                          Even       though the camera was well on its way to popularity, the       film rolls were available only in Black and White. So       Photography of that period was devoid of colors. B&W films       were made of cellulose nitrate that is a chemical compound       that is similar to guncotton. A film with a nitrate base       will deteriorate with time and in the process would release       acidic gasses and oxidants. The nitrate base film was also       highly flammable. Nitrate films actually built the       foundation for the first flexible roll films. It also       created the base for development of the 35-mm roll film in       the mid 1920’s. By the end of 1920, the medium type roll       film came into existence. This film roll was 6cms wide and       was covered with a paper sheet to make it easy for anyone to       carry it along in broad daylight. Nine years later, the TLR       or the twin reflex camera was developed.
                          By the       beginning of the 1940’s, the film roll market had gained       momentum and color films were born. Though by 1935, Kodak       had already developed their color film called Kodachrome.       The new color films used the dye-coupled colors technology.       This technology used a chemical process, which connected the       3 layers of dye together to create a color image. This       system is still in use. The next discovery and development       was that of a Triacetate film that was fireproof and more       flexible. Most of the photographic films till the 1970’s       were using this technology. The films used now come with       T-grain emulsions. These are basically light sensitive       silver halides in the shape of a T to render a fine grain       pattern.
                          In the       age of the digital cameras, it is hard to really imagine       what next will come out of the Pandoras Box.
 
 
 
          
      
 
  
 
 
 
 
 
 
 
 
 
 
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